Conference | Hybrid
Artificial Intelligence and Copyright: The Canadian Dilemma
Summary of the Book "Artificial Intelligence and Copyright: The Canadian Dilemma"
In 2016, a “new Rembrandt” was created by artificial intelligence as part of The Next Rembrandt project. Using deep learning methods, a computer generated a painting that experts claim could have been created by the Dutch master himself. Thus, an artistic creation was produced with the aid of an artificial intelligence program, “in collaboration” with humans. Since then, new algorithmic creations have emerged, increasingly minimizing the human creative input. But how does Canadian copyright law address this type of creation? This book seeks to answer that question by revisiting key concepts of Canadian copyright law and exploring new avenues for reflection on this pressing contemporary issue.
The Author
Caroline Jonnaert is a partner, lawyer, and trademark agent at ROBIC. She specializes in information technology law, trademarks, copyright, and advertising and marketing law. Caroline holds a PhD in Law from the Université de Montréal. Her thesis, which earned her a distinction for excellence, focuses on copyright and artificial intelligence.
The Moderator
Georges Azzaria is the Director of the School of Art at Laval University and has previously been a professor of intellectual property and methodology at the Faculty of Law at the same university. His early research focused on the relationship between art and copyright, as well as the socio-economic status of artists. In recent years, he has been particularly interested in digital technologies from the perspective of copyright and legal regulation.
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À propos de l'auteure
Caroline Jonnaert est associée, avocate et agente de marques chez ROBIC. Elle se spécialise en droit des technologies de l’information, marques de commerce, droit d’auteur, et droit de la publicité et du marketing. Caroline est titulaire d’un doctorat en droit de l’Université de Montréal. Sa thèse, qui lui a valu une mention d’excellence, porte sur le droit d’auteur et l’intelligence artificielle.
À propos du répondant
Georges Azzaria est le directeur de l’École d’art de l’Université Laval et a auparavant été professeur de propriété intellectuelle et de méthodologie à la Faculté de droit de cette université. Ses premières recherches ont porté sur les rapports entre l’art et le droit d’auteur, ainsi que sur le statut socio-économique des artistes. Depuis quelques années, il s’intéresse plus particulièrement aux technologies numériques sous l’angle du droit d’auteur et de la régulation juridique.
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